Tuesday, 6 October 2009
If we take the premise that inherent in the process of abstraction is a removal of information, then this study represents an abstraction of 'Leaving'. This is the onward movement away from the present moment, the catalyst of the Roaming Body which both, binds us, yet also severs us durationally from our presence in the present. All extraneous visual, auditory and contextual information has been striipped away, leaving a small world which looks inward, reducing the content to a window on barely discernible motion in a passage of time.
'When a body is in motion, it does not coincide with itself. It coincides with its own transition ... In motion, a body is in an immediate, unfolding relation to its own nonpresent potential to vary. That relation, to borrow a phrase from Deleuze, is real but abstract … This is an abstractness pertaining to the transitional immediacy of a real relation – that of a body to its own indeterminacy (its openness to an elsewhere and otherwise that it is, in any here and now.'
Massumi, B. (2002). Parables for the Virtual: Movement, Affect, Sensation Duke University Press, Durham & London, (p.5).
Focus emerges to inscribe detail upon us as a mobile volume and sinks again into a grey field of duration itself. There is no sound in this territory. It lies beneath our usual sense of self and where we locate ourselves on our world surface in time and place.